This Australian Ballet Production of Sleeping Beauty begins with an odd intro: ignore that. The choreographic flourishes in this are darling! The fairies float! Carabosse enters on a trolley like Rihanna. And Aurora is so spunky! I especially hope you like Wolf & Riding Hood. Adorable!
Tchaikovsky’s Sleeping Beauty is among the longest and most technically difficult ballets of the canon—and, as if understanding this, the companies who produce the ballet have the most glorious sets and costumes. The attention to detail is inspiring!
You should know the ballet is different in some ways to the movie—though Disney did use a few of the more prominent pieces of Tchaikovsky’s score for his movie. Most notably, he retooled the Sleeping Beauty Waltz for “Once Upon a Dream.” In addition to being a more familiar story than most ballets, you’ll recognize a lot of songs from Sleeping Beauty you’ve heard before in other places.
The two productions I want to direct you to are real treats! Traditionally, the hardest roles for men and women are in Sleeping Beauty: for women, it’s the title role. For men, it’s the role of the Bluebird (in the final act), which is also, often played by the same man who plays Carabosse. Among the most famous ballet dancers in history, Enrico Cecchetti, made the two male roles famous. Cecchetti is also responsible for one of the four principle ballet methods: Cecchetti, Vaganova, Bournonville and Royal Ballet.